July 16, 2024


You are Your Only Limit

Arts at CERN collaborates with Science Gallery Melbourne and the ARC Centre for the exhibition “Dark Matters”

3 min read
Arts at CERN collaborates with Science Gallery Melbourne and the ARC Centre for the exhibition “Dark Matters”

Opening on 5 August, “Dark Matters” will convey artworks from Arts at CERN programmes to Australian audiences for the very first time

Arts at CERN has joined forces with Science Gallery Melbourne and the ARC Centre of Excellence for Dark Issue Particle Physics to current Darkish Issues, an exhibition that seeks to explore the basic essence of lifestyle and the Universe and to question how their mysteries proceed to elude us. For about a ten years, Arts at CERN has been actively developing international collaborations with foremost scientific laboratories and cultural establishments to foster a international community of artwork and science. As a result of Darkish Issues, Arts at CERN extends this dedication by igniting dialogues between artists and specialists from the ARC Centre of Excellence for Dark Matter Particle Physics, Australia’s main dim make a difference research centre.

In 2017, Arts at CERN launched its exhibitions programme with the goal of engaging with audiences who are intrigued in artwork and essential science and eager to hook up with CERN’s study. Now, Darkish Issues provides some of the extraordinary creations that have emerged from the function and investigate of the artists-in-residence to hook up with and encourage audiences across Melbourne.

Physicists estimate that we can see and interact with only 5% of the mass of the Universe the rest remains minor recognised. About 85% of this unseen mass is attributed to dark issue, which is specifically demanding to review for the reason that it does not visibly interact with gentle. As artists and scientists continue on the final quest to understand it, its elusive character mirrors the restrictions of our cognitive expertise. Dim Issues poses the concern of no matter if exploring for this mysterious compound could direct us to picture new prospects for existence, our romantic relationship with non-human beings, and creative technologies that help us to obtain unfathomable environments.

Quite a few artworks in the exhibition have been drawn from Arts at CERN’s residency programmes. South Korean songs producer and artist Yunchul Kim presents Chroma V, a huge 50-metre-very long sculpture that folds in on by itself in an intricate knot. Produced of metallic and elements derived from tactics Kim explored in collaboration with content experts, the set up detects subatomic particles and arrives to existence as it reacts to invisible forces. 2016 Collide awardee Kim will also premiere a new artwork commission in an forthcoming exhibition at the CERN Science Gateway from Oct.

In the venture Scientific Dreaming, British artist Suzanne Treister carried out a collection of composing workshops with researchers from CERN and the College of Melbourne with the goal of opening their unconscious imaginations. By interviews and physical exercises, the scientists wrote science fiction stories that envisage hopeful futures primarily based on hypothetical scientific breakthroughs, while exposing the opportunity risks connected with these technological advances. The tales, as effectively as narrative plot diagrams by the artist, will be part of the exhibition.

Darkish Issues will also element the do the job of Swiss artist Alan Bogana, Chilean artist Patricia Domínguez, Lithuanian designer Julijonas Urbonas and British artist duo Semiconductor amongst other community and worldwide artists.

Co-curated by Mónica Bello, Head of Arts at CERN, Tilly Boleyn, Head of Curatorial at Science Gallery Melbourne, and a panel of younger individuals and educational professionals, Dim Issues will consider how darkish subject modifications how we think about ourselves, on the two an particular person stage and a common scale.

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